This book intertwines three powerful texts to create an intimate and experiential portrait of Eva Hesse’s life and artistic struggles. Samuel Beckett’s Waiting for Godot, a play about existential paralysis—waiting instead of doing, uncertainty instead of action—mirrors Hesse’s own moments of doubt and creative inertia. Her personal diary entries provide raw insight into her inner turmoil, while Sol LeWitt’s letter serves as both a challenge and a catalyst, urging her to break free from hesitation and fully embrace her artistic vision. Together, these voices form a layered, deeply personal exploration of an artist caught between self-doubt and the relentless drive to create.

Visually, the book mirrors Hesse’s process—its pages filled with annotations and images of varying sizes and angles, disrupting traditional layouts just as she did with her own work. Bound with binder clips, it evokes a working document, a personal journal in progress. This raw, intimate design immerses the reader in Hesse’s world, blurring the line between biography and lived experience.